HBO Max is better-known for streaming new Warner Bros. And rumor has it that next month the streamer might even have another one! With a cast that includes John Mulaney, Andy Samberg, KiKi Layne, Tim Robinson, and Eric Bana as Monterey (a phrase that definitely means something to most of the 35-year-olds you know), Disney Plus’ latest original might be one of its few non-Pixar movies worth watching.
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With the Lonely Island behind the project, and Akiva Schaffer directing his first movie since “Popstar: Never Stop Never Stopping,” there’s even reason to hope that “Chip ’n Dale” will breathe some new life into the staid post-modern premise of taking animated characters into the real world - and forcing them to deal with real world problems. If “Chip ’n Dale: Rescue Rangers” simply had to be resurrected from the dead and forced to fight in the content wars as a part of Disney’s skeleton army, then at least ’90s kids can be happy that the classic Disney Afternoon cartoon is being rebooted by some big names who only seem to be doing it for love of the game.
More than just a fantastic collection of films that have been assembled with a personal touch, the titles Koresky has chosen (including “Desert Hearts,” “Smooth Talk,” and under-seen gems like the Sally Field vehicle, “Murphy’s Romance”) also trace a complex and humane vision of strong American women that’s often overlooked in a decade better-remembered for steroidal excess.Įlsewhere, the Criterion Channel is also honoring Richard Linklater, Juzo Itami (“The Funeral” is essential viewing for anyone who’s only tasted “Tampopo”), Criterion stalwart Ida Lupino (“The Big Knife” returns!), Asian-American film and video of the 1990s (“The Living End” is an excellent gateway drug), and a whole lot more. Mother’s Day will have already come and gone by the time you read this, but that’s no reason not to indulge in the “Films of Endearment” series that Reverse Shot co-founder and former Criterion Collection staff writer Michael Koresky has programmed in honor of his lovely memoir of the same name, which charts the author’s relationship to his mother through the movies she introduced him to in the 1980s.
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